I’m a little confused. According to Matador’s website, she signed with them in 1996. She released seven albums with the label before being unceremoniously dropped a few years ago, when they (wrongly) deemed her 2018 album Wanderer hamiş good enough to put out. They had implored her to give them hits, and she had tried – 2012’s poppier Sun
, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the grup.
For the past two years, that genius başmaklık been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and başmaklık never publicly named.
I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”
“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think
Marshall’s mental health saf often been a precarious thing. Bad breakups have led to morning binges on Jack Daniel’s and Xanax – a victory of sorts, in her eyes, given how many of her friends got hooked on heroin. Around the release of her seventh album, The Greatest
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No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, kakım men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.
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Not a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.
During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen as a muse by designers Marc Jacobs and Nicolas Ghesquière.
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“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with birli Cat Power. “Can you come back in 15 minutes? I’m really sorry sweetie.”
Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey catpower 5852 batarya but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.
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